и я пыталась оригинал, но сложновато для меня

(а из мужских второстепенных мне ещё Джон Уилкс нравился)

О, пока писала пост, забыла упомянуть ещё одну деталь, которая меня поразила: то, что оказывается Эллин пришлось похоронить трёх сыновей. И все названы в честь отца. Как только матерей тех лет хватало на столько детей, тем более с уровнем медицины тех лет, ума не приложу.

При первом прочтении (лет в 11-12, точно не помню), меня удивило, как она морально выдержала, троих детей похоронить...

Но там про положение женщины вообще очень язвительные и запоминающиеся пассажи)

мисс Элинор
Меня впечатлил весь этот расклад с тем, что Эллин вынужденно выдали за старого (по меркам того времени) мужика, лишь бы только она не ушла в монастырь. Я так понимаю она в принципе угасла, потеряв возлюбленного кузена, и её после этой трагедии ничто уже морально не трогало, от неё остался только высокодуховный, величавый фасад настоящей леди.

После них становится любопытно, какой была активная политическая позиция писательницы в реальной жизни. Я помню только то, что она созданного ей персонажа Скарлетт не любила и намеренно выписывала максимальной стервой, а потом искренне удивилась, когда читателям она, вопреки всему этому, пришлась по нраву.

А там, в оригинале, именно в монастырь она собиралась? Что-то я уже подзабыла, наверно, не помню, чтоб Эллин собиралась в монахини)

And when the night was nearly spent, Mammy, who had cried herself out over her mistress' dark head, protested, "But, honey, you kain do dat!"

"I will do it. He is a kind man. I will do it or go into the convent at Charleston."

It was the threat of the convent that finally won the assent of bewildered and heartstricken Pierre Robillard. He was staunchly Presbyterian, even though his family were Catholic, and the thought of his daughter becoming a nun was even worse than that of her marrying Gerald O'Hara. After all, the man had nothing against him but a lack of family.

Просто пятнадцатилетняя девчонка рубанула с плеча и испортила себе жизнь...

А была ли у Маргарет Митчелл именно политическая позиция? Не знаю, честно говоря, мало интересовалась её биографией, надо почитать-поискать.

У меня, кстати, с восприятием образа Скарлетт обратная ситуация: я с детства слышала об этой книге из разговоров взрослых, и все восхищались Скарлетт, какая она замечательная, храбрая, сильная и всё прочее. Но я перед ней такого восторга не испытала, признавая всю её силу, чувство долга и так далее. Мне нравилась описанная трагическая история крушения мира, но не главная героиня.

А со временем пришло понимание, насколько ж мрачная эта история: ведь на самом деле не выжил никто. И Скарлетт тоже. Она жива физически, в отличие от Мелани, Чарли, Фрэнка и других, но к концу книги душой она мертва. У неё есть деньги, она никогда не будет голодать, у неё останется модный дом с кучей модных и дорогих штук, но при этом она потеряла всё и всех, причём пока имела - не ценила: ни дружбу Мелани, ни любовь Ретта, ни детей. Она пьёт и имеет все шансы спиться в конце концов. Ей только 28, а жизнь уже кончена. Вот уж выжила так выжила...

"How old are you, my dear? You never would tell me."

"Twenty-eight," she answered dully, muffled in the handkerchief.

"That's not a vast age. It's a young age to have gained the whole world and lost your own soul, isn't it? Don't look frightened. I'm not referring to hell fire to come for your affair with Ashley. I'm merely speaking metaphorically. Ever since I've known you, you've wanted two things. Ashley and to be rich enough to tell the world to go to hell. Well, you are rich enough and you've spoken sharply to the world and you've got Ashley, if you want him. But all that doesn't seem to be enough now."

Да, вот это вот больше всего и печалит, что человек так глупо испоганил себе всю жизнь по молодости.

Вот в это прочтение удивилась, что она оказывается малограмотная и книжку от роду никогда в руках не держала, тогда как людей типа Эшли со всем их интересом к музыке, литературе и скучным разговорам про Европу искренне не понимает. Это должно быть одно из немногих кардинальных отличий меня от неё.

Я засмотрела фильм до дыр

И "Обломова" буквально перечитала!

Мне показалось, что фильм слишком мало передает содержание книги, много выкинуто.

С одной стороны, он выкинул пару любимых мной моментов из книги

Her hand dropped to a little table beside her, fingering a tiny china rose-bowl on which two china cherubs smirked. The room was so still she almost screamed to break the silence. She must do something or go mad. She picked up the bowl and hurled it viciously across the room toward the fireplace. It barely cleared the tall back of the sofa and splintered with a little crash against the marble mantelpiece.

"This," said a voice from the depths of the sofa, "is too much."

Nothing had ever startled or frightened her so much, and her mouth went too dry for her to utter a sound. She caught hold of the back of the chair, her knees going weak under her, as Rhett Butler rose from the sofa where he had been lying and made her a bow of exaggerated politeness.

"It is bad enough to have an afternoon nap disturbed by such a passage as I've been forced to hear, but why should my life be endangered?"

He was real. He wasn't a ghost. But, saints preserve us, he had heard everything! She rallied her forces into a semblance of dignity.

"Sir, you should have made known your presence."

"Indeed?" His white teeth gleamed and his bold dark eyes laughed at her. "But you were the intruder. I was forced to wait for Mr. Kennedy, and feeling that I was perhaps persona non grata in the back yard, I was thoughtful enough to remove my unwelcome presence here where I thought I would be undisturbed. But, alas!" he shrugged and laughed softly.

Her temper was beginning to rise again at the thought that this rude and impertinent man had heard everything—heard things she now wished she had died before she ever uttered.

"Eavesdroppers—" she began furiously.

"Eavesdroppers often hear highly entertaining and instructive things," he grinned. "From a long experience in eavesdropping, I—"

"Sir," she said, "you are no gentleman!"

"An apt observation," he answered airily. "And, you, Miss, are no lady." He seemed to find her very amusing, for he laughed softly again. "No one can remain a lady after saying and doing what I have just overheard. However, ladies have seldom held any charms for me. I know what they are thinking, but they never have the courage or lack of breeding to say what they think. And that, in time, becomes a bore. But you, my dear Miss O'Hara, are a girl of rare spirit, very admirable spirit, and I take off my hat to you. I fail to understand what charms the elegant Mr. Wilkes can hold for a girl of your tempestuous nature. He should thank God on bended knee for a girl with your—how did he put it?—'passion for living,' but being a poor-spirited wretch—"

"You aren't fit to wipe his boots!" she shouted in rage.

"And you were going to hate him all your life!" He sank down on the sofa and she heard him laughing.

If she could have killed him, she would have done it. Instead, she walked out of the room with such dignity as she could summon and banged the heavy door behind her.

RHETT:

Has the war started?

SCARLETT:

Sir, you...you should have made your presence known.

RHETT:

In the middle of that beautiful love scene? That

wouldn't have been very tactful, would it? But don't

worry. Your secret is safe with me.

SCARLETT:

Sir, you are no gentleman.

RHETT:

And you miss are no lady. Don't think that I hold

that against you. Ladies have never held any charm

for me.

SCARLETT:

First you take a low, common advantage of me, then

you insult me!

RHETT:

I meant it as a compliment. And I hope to see more of

you when you're free of the spell of the elegant Mr.

Wilkes. He doesn't strike me as half good enough for

a girl of your...what was it...your passion for

living?

SCARLETT:

How dare you! You aren't fit to wipe his boot!

RHETT:

And you were going to hate him for the rest of your

life.

"Ashley, you have not favored us with your opinion," said Jim Tarleton, turning from the group of shouting men, and with an apology Ashley excused himself and rose. There was no one there so handsome, thought Scarlett, as she marked how graceful was his negligent pose and how the sun gleamed on his gold hair and mustache. Even the older men stopped to listen to his words.

"Why, gentlemen, if Georgia fights, I'll go with her. Why else would I have joined the Troop?" he said. His gray eyes opened wide and their drowsiness disappeared in an intensity that Scarlett had never seen before. "But, like Father, I hope the Yankees will let us go in peace and that there will be no fighting—" He held up his hand with a smile, as a babel of voices from the Fontaine and Tarleton boys began. "Yes, yes, I know we've been insulted and lied to—but if we'd been in the Yankees' shoes and they were trying to leave the Union, how would we have acted? Pretty much the same. We wouldn't have liked it."

"There he goes again," thought Scarlett. "Always putting himself in the other fellow's shoes." To her, there was never but one fair side to an argument. Sometimes, there was no understanding Ashley.

"Let's don't be too hot headed and let's don't have any war. Most of the misery of the world has been caused by wars. And when the wars were over, no one ever knew what they were all about."

Scarlett sniffed. Lucky for Ashley that he had an unassailable reputation for courage, or else there'd be trouble. As she thought this, the clamor of dissenting voices rose up about Ashley, indignant, fiery.

Under the arbor, the deaf old gentleman from Fayetteville punched India.

"What's it all about? What are they saying?"

"War!" shouted India, cupping her hand to his ear. "They want to fight the Yankees!"

"War, is it?" he cried, fumbling about him for his cane and heaving himself out of his chair with more energy than he had shown in years. "I'll tell 'um about war. I've been there." It was not often that Mr. McRae had the opportunity to talk about war, the way his women folks shushed him.

He stumped rapidly to the group, waving his cane and shouting and, because he could not hear the voices about him, he soon had undisputed possession of the field.

"You fire-eating young bucks, listen to me. You don't want to fight. I fought and I know. Went out in the Seminole War and was a big enough fool to go to the Mexican War, too. You all don't know what war is. You think it's riding a pretty horse and having the girls throw flowers at you and coming home a hero. Well, it ain't. No, sir! It's going hungry, and getting the measles and pneumonia from sleeping in the wet. And if it ain't measles and pneumonia, it's your bowels. Yes sir, what war does to a man's bowels—dysentery and things like that—"

The ladies were pink with blushes. Mr. McRae was a reminder of a cruder era, like Grandma Fontaine and her embarrassingly loud belches, an era everyone would like to forget.

"Run get your grandpa," hissed one of the old gentleman's daughters to a young girl standing near by. "I declare," she whispered to the fluttering matrons about her, "he gets worse every day. Would you believe it, this very morning he said to Mary—and she's only sixteen: 'Now, Missy...'" And the voice went off into a whisper as the granddaughter slipped out to try to induce Mr. McRae to return to his seat in the shade.

Of all the group that milled about under the trees, girls smiling excitedly, men talking impassionedly, there was only one who seemed calm. Scarlett's eyes turned to Rhett Butler, who leaned against a tree, his hands shoved deep in his trouser pockets. He stood alone, since Mr. Wilkes had left his side, and had uttered no word as the conversation grew hotter. The red lips under the close-clipped black mustache curled down and there was a glint of amused contempt in his black eyes—contempt, as if he listened to the braggings of children. A very disagreeable smile, Scarlett thought. He listened quietly until Stuart Tarleton, his red hair tousled and his eyes gleaming, repeated: "Why, we could lick them in a month! Gentlemen always fight better than rabble. A month— why, one battle—"

"Gentlemen," said Rhett Butler, in a flat drawl that bespoke his Charleston birth, not moving from his position against the tree or taking his hands from his pockets, "may I say a word?"

There was contempt in his manner as in his eyes, contempt overlaid with an air of courtesy that somehow burlesqued their own manners.

The group turned toward him and accorded him the politeness always due an outsider.

"Has any one of you gentlemen ever thought that there's not a cannon factory south of the Mason-Dixon Line? Or how few iron foundries there are in the South? Or woolen mills or cotton factories or tanneries? Have you thought that we would not have a single warship and that the Yankee fleet could bottle up our harbors in a week, so that we could not sell our cotton abroad? But—of course—you gentlemen have thought of these things."

"Why, he means the boys are a passel of fools!" thought Scarlett indignantly, the hot blood coming to her cheeks.

Evidently, she was not the only one to whom this idea occurred, for several of the boys were beginning to stick out their chins. John Wilkes casually but swiftly came back to his place beside the speaker, as if to impress on all present that this man was his guest and that, moreover, there were ladies present.

"The trouble with most of us Southerners," continued Rhett Butler, "is that we either don't travel enough or we don't profit enough by our travels. Now, of course, all you gentlemen are well traveled. But what have you seen? Europe and New York and Philadelphia and, of course, the ladies have been to Saratoga" (he bowed slightly to the group under the arbor). "You've seen the hotels and the museums and the balls and the gambling houses. And you've come home believing that there's no place like the South. As for me, I was Charleston born, but I have spent the last few years in the North." His white teeth showed in a grin, as though he realized that everyone present knew just why he no longer lived in Charleston, and cared not at all if they did know. "I have seen many things that you all have not seen. The thousands of immigrants who'd be glad to fight for the Yankees for food and a few dollars, the factories, the foundries, the shipyards, the iron and coal mines—all the things we haven't got. Why, all we have is cotton and slaves and arrogance. They'd lick us in a month."

For a tense moment, there was silence. Rhett Butler removed a fine linen handkerchief from his coat pocket and idly flicked dust from his sleeve. Then an ominous murmuring arose in the crowd and from under the arbor came a humming as unmistakable as that of a hive of newly disturbed bees. Even while she felt the hot blood of wrath still in her cheeks, something in Scarlett's practical mind prompted the thought that what this man said was right, and it sounded like common sense. Why, she'd never even seen a factory, or known anyone who had seen a factory. But, even if it were true, he was no gentleman to make such a statement—and at a party, too, where everyone was having a good time.

Stuart Tarleton, brows lowering, came forward with Brent close at his heels. Of course, the Tarleton twins had nice manners and they wouldn't make a scene at a barbecue, even though tremendously provoked. Just the same, all the ladies felt pleasantly excited, for it was so seldom that they actually saw a scene or a quarrel. Usually they had to hear of it third-hand.

"Sir," said Stuart heavily, "what do you mean?"

Rhett looked at him with polite but mocking eyes.

"I mean," he answered, "what Napoleon—perhaps you've heard of him?—remarked once, 'God is on the side of the strongest battalion!'" and, turning to John Wilkes, he said with courtesy that was unfeigned: "You promised to show me your library, sir. Would it be too great a favor to ask to see it now? I fear I must go back to Jonesboro early this afternoon where a bit of business calls me."

He swung about, facing the crowd, clicked his heels together and bowed like a dancing master, a bow that was graceful for so powerful a man, and as full of impertinence as a slap in the face. Then he walked across the lawn with John Wilkes, his black head in the air, and the sound of his discomforting laughter floated back to the group about the tables.

MANS:

Yes, gentlemen always fight better than rattle.

Mr. O'HARA

And what does the captain of our troop say?

ASHLEY:

Well, gentlemen...if Georgia fights, I go with her.

But like my father I hope that the Yankees let us

leave the Union in peace.

MAN1

But Ashley...

MAN2

Ashley, they've insulted us.

MANS:

You can't mean that you don't want war.

ASHLEY:

Most of the miseries of the world were caused by

wars. And when the wars were over, no one ever knew

what they were about.

Mr. O'HARA

Now gentlemen, Mr. Butler has been up North I hear.

Don't you agree with us, Mr. Butler?

RHETT BUTLER:

I think it's hard winning a war with words,

gentlemen.

CHARLES:

What do you mean, sir?

RHETT:

I mean, Mr. Hamilton, there's not a cannon factory in

the whole South.

MAN:

What difference does that make, sir, to a gentleman?

RHETT:

I'm afraid it's going to make a great deal of

difference to a great many gentlemen, sir.

CHARLES:

Are you hinting, Mr. Butler, that the Yankees can

lick us?

RHETT:

No, I'm not hinting. I'm saying very plainly that the

Yankees are better equipped than we. They've got

factories, shipyards, coal-mines... and a fleet to

bottle up our harbors and starve us to death. All

we've got is cotton, and slaves and ...arrogance.

MAN:

That's treacherous!

CHARLES:

I refuse to listen to any renegade talk!

RHETT:

Well, I'm sorry if the truth offends you.

CHARLES:

Apologies aren't enough sir. I hear you were turned

out of West Point Mr. Rhett Butler. And that you

aren't received in an decent family in Charleston.

Not even

your own.

RHETT:

I apologize again for all my shortcomings. Mr.

Wilkes, Perhaps you won't mind if I walk about and

look ver your place. I seem to be spoiling

everybody's brandy and cigars and...dreams of

victory.

(Rhett Butler leaves the hall.)

MAN:

Well, that's just about what you could expect from

somebody like Rhett Butler.

Mr. O'HARA

You did everything but call him out.

CHARLES:

He refused to fight.

ASHLEY:

Not quite that Charles. He just refused to take

advantage of you.

CHARLES:

Take advantage of me?

ASHLEY:

Yes, he's one of the best shots the country, he's

proved a number of times, against steadier hands and

cooler heads than yours.

CHARLES:

Well, I'll show him.

ASHLEY:

No, no, no, please, don't go tweaking his nose

anymore. You may be needed for more important

fighting, Charles. Now if you'll excuse me, Mr.

Butler's our guest... I think I'll just show him

around.

тут его отдельно спрашивают

где Чарльз вызывает его на дуэль

хотя Чарльз как человек последний, у кого хватило бы храбрости на такое, для него максимально не характерны такие смелые поступки.

Он как будто бы более прямолинеен в сравнении с дьявольски тонко троллящим персонажем из книги.

это была слишком большая книга даже для такого длиннющего фильма, и они сделали лучшее, что могли в имеющихся обстоятельствах